3rd Malinik circuit 2016

malinik2016

3rd MALINIK Digital Circuit 2016

PSA 2016-062

1.  ORGANIZER:

Homolje Artist’s Society and Photo Club “Danube”

3rd MALINIK Digital Circuit 2016”, Zagubica, Serbia

The art gallery, Belogradchik/ Bulgaria and the Photo Club “Danube”

“2nd MALINIK Digital Circuit 2016”, Belogradchik, Bulgaria

Photo Art Group “F7″ Kumanovo, Macedonia and Photo Club “Danube”

“2nd MALINIK Digital Circuit 2016”, Kumanovo, Macedonia

FOT Travnik BIH and Photo Club “Danube”

“2nd MALINIK Digital Circuit 2016”, Travnik, Bosnia and Hercegovina

 

2. CONDITIONS OF ENTRY:

The exhibition is open to anyone; however, an entry may be rejected when the sponsoring organization or its agent, in its reasonable discretion, believes the entry does not conform to the exhibition rules and conditions.

There are no restrictions as to subject matter except as outlined in the rules and definitions of specific sections, or specified by law in the country where the exhibition is held.

Entries must originate as photographs (image-captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the work as his own (aliases are not permitted). The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. Note: Entrants who indicate that their images may not be reproduced or used “will not be eligible for awards” or inclusion in audio-visuals of the exhibition “and could be subject to disqualification” by the exhibition sponsors.

The exhibition assumes no liability of any misuse of copyright. Images may be altered, either digitally or otherwise, by the maker and artwork or computer graphics created by the entrant may be incorporated if the photographic content predominates subject to Nature, Photo Travel and Photojournalism divisional restrictions. Artwork or computer graphics created by the entrant may be incorporated if the photographic content predominates subject to divisional restrictions. All final work must be on photographic film, or on electronic file, or on photographic or electronic print material, mounting excepted.

 

3. SECTIONS:

  1. People of the World (color or black and white) (FIAP -2016/000-000, PSA 2016-000, AUFBIH -329 IF2016, FSM – 2016/5, NAPB – 2016/000, FSS – 2016/07-10, ICS 2016/000,PSA PID Color)
  1. Open – Color (FIAP -2016/000-000, PSA 2016-000, AUFBIH -329 IF2016, FSM – 2016/5, NAPB – 2016/000, FSS – 2016/07-10, ICS 2016/000,PSA PID Color)
  2. Open – Monochrome (FIAP -2016/000-000, PSA 2016-000, AUFBIH -329 IF2016, FSM – 2016/5, NAPB – 2016/000, FSS – 2016/07-10, ICS 2016/000, PSA PID Monochrome)
  3. Nature (Color or Monochrome) (FIAP -2016/000-000, PSA 2016-000, AUFBIH -329 IF2016, FSM – 2016/5, NAPB – 2016/000, FSS – 2016/07-10, ICS 2016/000, PSA ND)

 

4. ENTRY FEE:

Participation fee is mandatory for all participants of the exhibition and is 35 Euros (50$), for FSS members 3000 dinars (25$). The fee includes all themes and all 4 clubs, i.e. all 4 exhibitions. Dinar gyro account is 200-2338650101044-83 “Banka Postanska Stedionica AD Beograd”. Registration fee can be paid via PayPal or Moneybookers (accept the following credit cards VISA, MASTER CARD, AMEX, JCB and Diners. All instructions can be found at www.photoclub-danube.com

Works by authors who do not pay the registration fee will not be considered. By participating in the contest, the author agrees with the propositions and the rules of the organizers.

5. NUMBER OF WORKS:

In order to participate in the 3rd MALINIK Digital Circuit 2016, the authors apply with monochrome and color photos.

Entries are limited to not more than 4 images (slides, prints, digital files) per section, category, or class. An entrant’s four images will be distributed throughout four rounds of judging for that section. The maximum dimensions 1920 pixels horizontal x 1080 vertical, 300 dpi JPG compressions 7-10. The maximum total size must not exceed 2 megabytes.

Samsung 5100 Class Full HD 40″, 1920×1080 will be used to display the images to the judges.

Each image must have a unique title. Once an image has been accepted in a PSA Recognized exhibition, that same image, or a like “in camera” or a “reproduction” duplicate of that image:

i. May not be re-entered in any section of the same Division Star Ratings class in that exhibition regardless of media, format, or title.

ii. May not be re-titled for entry in any other PSA Recognized exhibition.

Words such as “Untitled” and “No Title” are not acceptable as part or all of an image’s title, nor are camera capture filenames or titles consisting of only numbers.

No title or identification of the maker shall be visible anywhere on the face of an image, print mat or mount entered in a PSA Recognized exhibition.

All entrants in must provide name and country data exactly the same in each exhibition entered to receive proper credit.

i. Acceptances in PID recognized Color sections shall be credited towards PID Color Star Ratings and Who’s Who Color listings. Monochrome images accepted in PID recognized Color sections shall only be credited towards PID Color Star Ratings.

ii. Acceptances in PID recognized Monochrome sections shall be credited towards PID Monochrome Star Ratings and Who’s Who Monochrome listings.

iii. All acceptance eligibility shall be in accordance with the PID Star Ratings or the Galaxy/Diamond Ratings requirements as appropriate

 

6. CATALOG:

The authors who have paid the participation fee and participate in this circular exhibition receive high-quality catalogue printed on paper (****).  The format of the Catalogue is 240mm x 167mm with 92 pages, luxuriously prepared. The organizer can use the exhibited works for reproduction in the catalog and to promote the exhibition free of charge.

 

7. THE EXHIBITION CALENDAR:

Closing date                                       08. March 2016

Selection                                             21-22. March 2016 Cultural centre Zajecar, Serbia

21-22. March 2016 National Museum Belogradcik, Bulgaria

21-22. March 2016 Photo club Kozjak Kumanovo, Macedonia

21-22. March 2016 Cultural centre Travnik; BIH

Mailing Notification Cards                     01. April 2016

Exhibition                                            06-07. May 2016 – ULUH Galerry Zagubica, Serbia

Exhibition                                            09-10. May 2016 – National Museum Belogradcik, Bulgaria

Exhibition                                            07-08. May 2016 – Cultural centre Kumanovo, Macedonia

Exhibition                                            15-16. May 2016 – Cultural centre Travnik BIH

Mailing of the Awards                           07. Jun 2016

Mailing of the Catalogues                     07. Jun 2016

The results can be viewed at the website: www.photoclub-danube.com

 

8. SUBMISSION OF WORKS:

On line entry.

Conditions of entry and upload are available at the website: www.photoclub-danube.com

All information about form or submitting entries may be obtained at:

contact@photoclub-danube.com

or at the address:

Sladjana Aleksic

Nikole Pasica 30/4

19210 Bor

Serbia

Tel: +381 69 128 06 14

 

9. SALON CHAIRMAN:

Sladjana Aleksic

Nikole Pasica 30/4

19210 Bor

Serbia

Tel: +381 69 128 06 14

E-mail: : contact@photoclub-danube.com

 

10. JURY:

“3rd MALINIK Digital Circuit 2016”, Zagubica, Serbia

  • Zoran Purger – MF FSS, ULUPUDS (Serbia)
  • Bojan Ivanov, photographer, (Bulgaria)
  • Zoran Stojiljkovic, AFIAP (Serbia)

Alternative: Zoran Mojsin – Serbia, EFIAP

 

“2nd MALINIK Digital Circuit 2016”, Belogradchik, Bulgaria

  • Maja Stosic – EFIAP, KMF FSS (Serbia)
  • Krasi Bojanov, photographer, (Bulgaria)
  • Aleksandar Manasiev, AFIAP (Serbia)

Alternative: Vladimir Djinic,EFIAP/b – Serbia

 

 “2nd MALINIK Digital Circuit 2016”, Kumanovo, Macedonia

  • Boro Rudic, AFIAP, MF FSM (Macedonia)
  • Dusan Docevski KMF FSM (Macedonia)
  • Filip Filipovic – AFIAP (Macedonia)

Alternative: Cedomir Biukovic,KMF FSS, EFIAP, – Serbia

 

“2nd MALINIK Digital Circuit 2016”, Travnik, Bosnia and Hercegovina

  • Mirsad Mujanovic, AFIAP, BIH
  • Sinisa Skenderia, AFIAP, BIH
  • Borislav Milovanovic, EFIAP,Serbia

Alternative: Dragan Ilic, painter – Serbia

 

11. AWARDS 

3rd MALINIK Digital Circuit 2016”, Zagubica, Serbia

FIAP badge for  best author
People of the World (color or black and white)

FIAP gold, PSA gold,  FSS gold,  ICS gold, SALON – gold, silver, bronze, 2 FIAP HM, 2 FSS HM, 2 ICS HM, 5 Salon HM

B) Open – Color

FIAP gold, PSA gold,  FSS gold, ICS gold,  SALON – gold, silver, bronze, 2 FIAP HM, 2 FSS HM, 2 ICS HM, 5 Salon HM

C) Open – Black and white

FIAP gold, PSA gold,  FSS gold, ICS gold,  SALON – gold, silver, bronze, 2 FIAP HM, 2 FSS HM, 2 ICS HM, 5 Salon HM

D) Nature (color or black and white)

FIAP gold, PSA gold,  FSS gold,  ICS gold, SALON – gold, silver, bronze, 2 FIAP HM, 2 FSS HM, 2 ICS HM, 5 Salon HM

 

2nd MALINIK Digital Circuit 2016”, Belogradchik, Bulgaria

FIAP badge for  best author

A)  People of the World (color or black and white)

FIAP gold, PSA gold, NAPB gold, FSS gold,  SALON- gold, silver, bronze, 2 FIAP HM, 1 FSS HM, 1 ICS HM, 5 Salon HM

B) Open – Color

FIAP gold, PSA gold, NAPB gold, FSS gold,  SALON- gold, silver, bronze, 2 FIAP HM, 1 ICS HM, 1 FSS HM, 5 Salon HM

C) Open – Black and white

FIAP gold, PSA gold,  NAPB gold, ICS gold,  SALON- gold, silver, bronze, 2 FIAP HM, 1 ICS HM, 1 FSS HM, 5 Salon HM

D) Nature (color or black and white)

FIAP gold, PSA gold,  FSS gold, ICS gold,  SALON- gold, silver, bronze, 2 FIAP HM, 1 ICS HM, 1 FSS HM, 5 Salon HM

 

2nd MALINIK Digital Circuit 2016”, Kumanovo, Macedonia

FIAP badge for  best author

A)  People of the World (color or black and white)

FIAP gold, PSA gold,  FSM gold, ICS gold, SALON – gold, silver, bronze, 2 FIAP HM, 1 ICS HM, 1 FSS HM, 5 Salon HM

B) Open – Color

FIAP gold, PSA gold,  FSM gold, FSS gold,  SALON – gold, silver, bronze, 2 FIAP HM, 1 ICS HM, 1 FSS HM, 5 Salon HM

C) Open – Monochrome

FIAP gold, PSA gold,  FSM gold, ICS gold, SALON – gold, silver, bronze, 2 FIAP HM, 1 ICS HM, 1 FSS HM, 5 Salon HM

D) Nature (color or black and white)

FIAP gold, PSA gold,  FSS gold,  ICS gold, SALON – gold, silver, bronze, 2 FIAP HM, 1 ICS HM, 1 FSS HM, 5 Salon HM

 

2nd MALINIK Digital Circuit 2016”, Travnik, Bosnia and Hercegovina

FIAP badge for  best author

A) People of the World (color or black and white)

FIAP gold, PSA gold, AUFBIH gold, ICS gold, SALON-gold, silver, bronze, 2 FIAP HM, 1 ICS HM, 1 FSS HM, 5 Salon HM

B) Open – Color

FIAP gold, PSA gold, AUFBIH gold, FSS gold,SALON-gold, silver, bronze, 2 FIAP HM, 1 ICS HM, 1 FSS HM, 5 Salon HM

C) Open – Monochrome

FIAP gold, PSA gold, AUFBIH gold, ICS gold, SALON-gold, silver, bronze, 2 FIAP HM, 1 ICS HM, 1 FSS HM, 5 Salon HM

D) Nature (color or black and white)

FIAP gold, PSA gold, FSS gold,  ICS gold, SALON – gold, silver, bronze, 2 FIAP HM, 1 ICS HM, 1 FSS HM, 5 Salon HM

 

 

FIAP AND PSA DEFINITIONS

All entries shall conform to the stricter of these definitions for acceptances to be validated by all the International Organizations granting recognition or patronage.

 

FIAP Definitions

FIAP Definition of the Black and White Photography (monochrome)

This definition supersedes the Document 223 and the INFO 1991/12.A black and white work fitting from the very dark grey (black) to the very clear grey (white) is a monochrome work with the various shades of grey. A black and white work toned entirely in a single color will remain a monochrome work able to stand in the black and white category; such a work can be reproduced in black and white in the catalogue of a salon under FIAP Patronage. On the other hand a black and white work modified by a partial toning or by the addition of one color becomes a color work (polychrome) to stand in the color category; such a work requires color reproduction in the catalogue of a salon under FIAP Patronage.

 

PSA, FIAP, and RPS Nature Definition as of 1 January 2016

 

Nature photography is restricted to the use of the photographic process to depict all branches of natural history, except anthropology and archeology, in such a fashion that a well-informed

person will be able to identify the subject material and certify its honest presentation. The story

telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality. Human elements shall not be present, except where those human elements are integral parts of the nature story such as nature subjects, like barn owls or storks, adapted to an environment modified by humans, or where those human elements are in situations depicting natural forces, like hurricanes or tidal waves. Scientific bands, scientific tags or radio collars on wild animals are permissible. Photographs of human created hybrid plants, cultivated plants, feral animals, domestic animals, or mounted specimens are ineligible, as is any form of manipulation that alters the truth of the photographic statement. No techniques that add, relocate, replace, or remove pictorial elements except by cropping are permitted. Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content, or without altering the content of the original scene, are permitted including HDR, focus stacking and dodging/burning. Techniques that remove elements added by the camera, such as dust spots, digital noise, and film scratches, are allowed. Stitched images are not permitted. All allowed adjustments must appear natural. Color images can be converted to greyscale monochrome. Infrared images, either direct captures or derivations, are not allowed.

 

Images entered in Nature sections meeting the Nature Photography Definition above can have landscapes, geologic formations, weather phenomena, and extant organisms as the primary subject matter. This includes images taken with the subjects in controlled conditions, such as zoos, game farms, botanical gardens, aquariums and any enclosure where the subjects are totally dependent on man for food.

 

PSA Definitions

 

General:

Entries must originate as photographs (image-capture of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the work as his/her own and permits the sponsors to reproduce all or part of the entered material free of charge for publication and / or display in media related to the exhibition. This may include low resolution posting on a website. The exhibition assumes no liability for any misuse of copyright. Images may be altered, either electronically or otherwise, by the maker and artwork or computer graphics created by the entrant may be incorporated if the photographic content predominates.

 

 

Monochrome:

An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of gray which can include pure black and pure white) OR it gives the impression of being a greyscale image that has

been toned in one color across the entire image. (For example by Sepia, red, gold, etc.)

A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a

Color Work.

 

All entries shall conform to the stricter of these definitions for acceptances to be validated by all the International Organizations granting recognition or patronage.